Help us celebrate the Lobero by joining in our first Lobero Give Day on Wednesday, February 22–our 144th birthday!
“Give Days” are like a 24-hour digital pep rally, and we’re throwing our first this Wednesday. And, like any party, we want to invite all our friends to be there.
The Lobero is Santa Barbara’s community theater, a home for so many of our favorite memories; whether you performed on this stage, or watched a young performer here, so many of us got our first taste of the stage right here. The Lobero has been right here for 144 years, which, is pretty incredible. It’s been a big part of Santa Barbara history, standing proud since the big earthquake of 1925, seen each and every Old Spanish Days celebration, and remains the favorite venue for many top performers.
Making a gift on #LoberoGiveDay will help to ensure this community stage remains a viable community asset for many years to come. But don’t worry, if you can’t make a gift, there are other ways to get involved:
Save me and use as your profile pic on #GiveDay!
We’d love to hear your stories on Wednesday, February 22. Please share a memory or story on Facebook and Tag us @LoberoTheatre. (Add the hashtag #LoberoGiveDay so we can keep track)
Would you be willing to share on your own page asking people to make a gift to support your favorite theater? Let us know, and we’ll send you everything you’ll need.
We’re partnering with the Santa Barbara Bowl to fill both venues’ Klean Kanteen pint cups and work together toward a greener concert experience.
Purchase a reusable, built-to-last Klean Kanteen Pint to use here at the Lobero–and at the Santa Barbara Bowl–and help to save countless single-use cups from the trash.
+ $10 for Souvenir Pint
+ $17 with First Beverage
+ Save $1 on Each Refill!
Take me home with you.
In 2015, the Lobero became Santa Barbara’s first Green Business-certified historic building and theatrical venue, and we want to continue to build on that momentum. Tackling an issue like single use cups seems like a great place to go next. Since the Lobero features live performances with concessions almost 200 nights per
year, creating a possibility for thousands of single-use cups to be thrown away. Just like bringing your own bag to the store or mug to the coffee shop; now we invite you to bring your reusable cup whenever you head out to see live music at your favorite Santa Barbara venues.
The Lobero Theatre is a Santa Barbara County Green Business. To earn the certification, the Lobero Theatre has implemented solutions to improve efficiency in electricity, water use, and implement a sustainable transportation plan staff members. This certification marks several years of gradual changes to ensure environmentally safe practices at the Lobero Theatre, including the City of Santa Barbara’s Recycling and Foodscraps Recycling Programs requiring the use of compostable and biodegradable plates, flatware and paper products at all Lobero events, concessions and receptions. Learn more at greenbizsbc.org.
“It was almost exactly 20 years ago that David Asbell accepted the position of executive director at the Lobero Theatre… he not only brought the kind of savvy that only comes from working backstage, but he also brought a profound vision of what the Lobero Theatre could become: Santa Barbara’s beating creative heart. By establishing a welcoming atmosphere and by being open to a creative team that includes such area luminaries as Hale Milgrim, Dianne Vapnek, Peggie Jones, and Stephen Cloud, Asbell has turned the Lobero into what we need most, in good times and bad: a blessed community of like-minded people, alive to the arts and ready to listen and share the love of great music, ideas, dance, and theater.” (Read the full story)
For the past 20 years, David has worked hard to make the Lobero the bustling, vibrant performing arts venue that it is. He created the Lobero LIVE and Jazz at the Lobero series, bringing truly legendary artists to the stage. He has had a leading role in the completion of more than $10 million in major renovations behind the scenes and in the auditorium. Most important, David has championed the Lobero’s essential role as a community resource, a place that our local artists call home. From the Chamber Orchestra to the Film Festival to Sings Like Hell – they are all welcomed here by the man at the helm.
This Thanksgiving, the Lobero Board and Staff are thankful for David and all he’s created.
It’s been one week since 12 lucky Lobero supporters (and two even luckier staffers) headed out on an epic roadtrip to see Adele at the Staples Center.
To say that Adele has been on a hot streak lately would be a major understatement. The husky-voiced British singer has captured the attention of the world with her classy throwback style; signature winged eyeliner, and emotionally charged songs that speak to anyone with feelings. With her third album 25 at the top of the charts, and a completely sold out worldwide tour underway, 2016 was the summer of Adele.
Adele burst onto the scene in 2008, winning two GRAMMY® awards for her debut album, 19. Her follow-up, 21, was also a huge success, and Adele continued to collect awards and break records. Her newest album 25 was released in 2015 and has already sold over 100 million copies, making Adele one of the best-selling recording artists in the world. Her 2016 world tour quickly sold out, making this opportunity even more exciting.
12 lucky Lobero supporters were able to enjoy Adele’s sold-out show at the Staples Center on August 10, as very special bonus for naming a seat at their favorite hometown venue. Those who dedicated a seat made a valuable contribution to the theatre and got to share the unforgettable experience of the Lobero’s first roadtrip. Guests kicked off the afternoon by getting to know each other and discussing their favorite shows at the Lobero to a soundtrack of past Lobero LIVE artists, and enjoying snacks from C’est Cheese and beverages in souvenir wine glasses. After battling Los Angeles traffic, the gang got to enjoy a catered buffet including prime rib, potato pancakes, and chocolate-covered strawberries. Once Adele took the stage, everyone was primed for a terrific performance. Between her inspiring songs, she posed for selfies, told hilarious personal stories, and proved that she is the most down-to-earth superstar imaginable.
In order to earn this certification, the Lobero went through a thorough review and implemented solutions to improve efficiency in electricity, water use, as well as a sustainable transportation plan for staff members. All of these improvements were introduced in a way that was compatible with our historic aesthetic and corporate culture.
We’ve been working on reducing our carbon footprint for several years. In 2011 the Lobero became the first theatrical business to join the City of Santa Barbara’s Recycling and Composting Programs. Then, 2013’s Encore: Lobero renovations brought in eco-friendly updates including: low-flow toilets, drought tolerant landscaping and energy-efficient electrical systems throughout. Last year, thanks to House Manager Daniel Ramirez, we ramped up efforts to reduce electricity and water use–which included changing hundreds of light bulbs, updating any remaining antique plumbing fixtures, implementing an Employee Transportation Plan–we even changed to eco-friendly cleaning products!
“We view efforts to reduce our carbon footprint as not only our social responsibility, but also as a way to decrease long term operational costs and increase the viability and comfort of the building. It’s good for everyone.” – David Asbell, Executive Director
The Lobero is conscious of its lasting presence in the Santa Barbara community, and views adapting sustainable practices as a practical and advantageous way to ensure the vitality of the theatre long into the future.
Lobero Theatre Ghostlight Society honors jazz artist Charles Lloyd as Artistic Luminary
The Lobero Ghostlight Society is proud to present its first Artistic Luminary Award to Charles Lloyd in honor of his contributions to the genres of Jazz and American Roots Music on Friday, January 8, 2016 with guest artist and emcee, jazz guitarist John Pizzarelli. The Ghostlight Society is delighted to give this inaugural award to a Santa Barbara local and a true legend in the international jazz community. See more coverage from the Independent
Charles Lloyd was born in Memphis, Tennessee, on March 15, 1938. Like Memphis’ rich cultural and musical heritage, Charles Lloyd’s ancestry of African, Cherokee, Mongolian, and Irish cultures reflects a similarly rich inheritance. He was given his first saxophone at the age of 9, riveted by 1940’s radio broadcasts by Charlie Parker, Coleman Hawkins, Lester Young, Billie Holiday and Duke Ellington. Classical music also exerted a pull on the young Lloyd. He left Memphis in 1956 and headed to Los Angeles to earn his Master’s in music at USC. While his days were spent in academia, Lloyd spent evenings in L.A.’s jazz clubs, playing with Ornette Coleman, Billy Higgins, Charlie Haden, Eric Dolphy, Bobby Hutcherson and other leading west coast jazz artists.
Lloyd left Los Angeles in 1961 to join Chico Hamilton where he became the group’s music director. Lloyd joined the Cannonball Adderley Sextet in 1964, and performed alongside Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes. Lloyd left Cannonball Adderley in 1965 to form his own quartet, a brilliant ensemble that introduced the jazz world to the talents of pianist Keith Jarrett, drummer Jack DeJohnette and bassist Cecil McBee. Their first release together was a studio recording, Dream Weaver, followed by Forest Flower: Live at Monterey, (1966). Forest Flower made history as one of the first jazz recordings to sell a million copies, and the album’s firsts continued as it became a stunning crossover success that appealed to popular mass market audiences and gained heavy airplay on FM radio.
“”Lloyd is one of the greats, rather like Joan Miro in modern art, he has no peer save himself. Music of total transport and delight.” – Jazzwise
In 1967 Charles Lloyd was voted “Jazz Artist of the Year” by DownBeat Magazine. And then, at the height of his career in the early 1970’s, Lloyd disbanded the quartet and dropped from sight, withdrawing to pursue an inner journey in Big Sur. June 1981 was when Lloyd broke a decade of silence in the jazz world, making his first of many performances on the Lobero stage, followed by extensive touring in the U.S., Europe and Japan. In the past decade, he has graced the Lobero stage on a nearly annual basis. Read Lloyd’s full biography here.
The Lobero Ghostlight Society is the Lobero Theatre’s premier giving circle. Their strong and steady support illuminates our behind-the-scenes efforts and, like the steadfast bulb at center stage, keeps our vibrant theatre from ever going dark. Carrying on the commitment originally made in 1924 by a core group of donors responsible for rebuilding the Lobero Theatre in order to provide a lasting home for live performance in Santa Barbara, these leaders in the community embrace their vital role in keeping the arts alive and accessible for the community at large.
The Luminaries of the Ghostlight Society are a spark of brilliance, not only for the Lobero stage but also for the entire performing arts community in Santa Barbara. We honor the individuals whose passion and commitment provide for the artistry that illuminates our stage. The Ghostlight Society has recognized the following individuals as Luminaries: Lillian & Jon* Lovelace, Anne & Michael Towbes, Lyn & David Anderson, and Baroness Leni Fe Bland*.
If you’d like to learn more about the Lobero Ghostlight Society, feel free to reach out to Jim Dougherty at 805.679.6005
In 1925, Santa Barbara experienced a devastating 6.3 magnitude earthquake that resulted in 13 casualties and eighty-five percent of the commercial buildings in Downtown Santa Barbara were destroyed or badly damaged. One of the only buildings left untouched was the Lobero Theatre.
Inspired by the 90th anniversary of the Santa Barbara earthquake, and the wonderful exhibit now on display at the The Santa Barbara Historical Museum, Emily Solomon takes us on a trip back in time…
Residents of Santa Barbara flocked to the Lobero for shelter and safety during this time. After the earthquake, there was lots of rebuilding that had to take place. One of the most influential architects on the project was George Washington Smith, who at the time was noted one of the most popular architects in the United States. During a California trip during WWI, Smith was visiting friends in Montecito. He enjoyed Santa Barbara so much that he ended up buying property to build himself a home and studio. His architectural style for the home was inspired by farmhouses he saw on a trip to Spain in 1914.
The Spanish Colonial Revival architectural style carried into his rebuilding efforts in Downtown Santa Barbara. Before the earthquake, the city’s buildings were mainly designed in the Moorish Revival style. In the end, Santa Barbara got a complete facelift and if the earthquake didn’t happen, we wouldn’t have the beautiful Spanish style homes and businesses that line our streets today.
The Lobero Theatre’s Mediterranean look also was a major factor during the rebuilding project. Smith and the other architects wanted the buildings to have uniformity, and the fact that the Lobero already had that Spanish look, made their decision to rebuild in that specific style even easier.
It is a remarkable history, and oh what stories this stage could tell! Santa Barbara has changed dramatically in 142 years, and the Lobero has always been at the heart of it all.
June 29 marked the 90th anniversary of the Santa Barbara earthquake. The Santa Barbara Historical Museum currently has a spectacular exhibit, showcasing still photographs and videos of footage of the earthquake. To take a sneak peak before visiting the exhibit, click here.
Whenever you step into the Lobero Theatre, you feel like you’re in a space that has seen so much history and musical talent over the past 142 years. The Lobero shed a light on this, “History of a Community Stage” in the recent BACKSTAGE at the Lobero, which you can read here. This is just one more piece of history to recognize its historical importance, not just as a haven for great music fanatics, musicians, dancers and theatre enthusiasts, but also as a landmark of architectural brilliance and change.
Emily Solomon, Go-Content
Author Bio: Emily Solomon is no stranger to the Lobero Theatre. She recalls dancing in the theater during her early teenage years. While she spends most of her time writing content for local Santa Barbara businesses and for online publications, she always manages to escape to her favorite music venue to hear her favorite tunes and discover new artists to love. Emily is a graduate of Emerson College with a degree in Writing and Publishing. She currently runs an online content business called, Go-Content. Contact her at email@example.com
Jensen Guitar & Music Co.’s RockCamp starts next week!
The Lobero Theatre hosts a number of arts educational opportunities throughout the year; we love helping kids shine onstage. In 2014-15 there will be an emphasis on giving children a professional performance experience, instilling a lifelong love of the spotlight.
Coming up this summer, the Lobero is excited to have Jensen’s Guitar & Music Co. back in a Performing Arts Residency for their summer RockCamps. These residency programs teach the performing arts to local students and allow them to demonstrate their new shredding-skills on a professional stage. RockCamp is a series of three week-long summer intensives designed to teach students to play an instrument of their choice, culminating in a professional performance on the Lobero stage–the same stage recently occupied by Slash, Keb’ Mo’, Alan Parsons and more guitar greats. This program will also include one work mentorship opportunity for a student, teaching stage management and technical skills. (Presented In partnership with New Noise Music Festival.)
“I played my first violin concert at age 9 at the Lobero, and am super excited to return “home” nearly 40 years later for Danny Click’s show on May 3, as his fiddler!” – Adrienne Biggs
Adrienne Biggs, aka, Violin Femme, and her musician parents (Grammy-winning singer/arranger Salli Terri and Ojai-based composer John Biggs) lived in Santa Barbara in the 1970’s. Mom, Salli, also taught at UCSB. The Biggs family played the Lobero Theatre on Dec. 17,1975. (Check out the photo in front of the Lobero’s kiosk!)
Adrienne mentions on her facebook page that she didn’t have the typical upbringing: “Instead of vacations, our family toured professionally in nearly 30 countries, performing an eclectic program including Renaissance to Americana music on period instruments that we owned, like harpsichord, piano, krumhorns, hurdy gurdy, recorders, hand bells, portative organ, rauschpfeife and of course, violins.”
After playing in youth and then professional orchestras and ensembles, in the early 90’s Adrienne moved to San Francisco and played with numerous bands in all of the notable venues, including Danny Click and the Hell Yeahs, who take the stage by way of Sings Like Hell this Saturday, May 3.