Jensen Guitar & Music Co.’s RockCamp starts next week!
The Lobero Theatre hosts a number of arts educational opportunities throughout the year; we love helping kids shine onstage. In 2014-15 there will be an emphasis on giving children a professional performance experience, instilling a lifelong love of the spotlight.
Coming up this summer, the Lobero is excited to have Jensen’s Guitar & Music Co. back in a Performing Arts Residency for their summer RockCamps. These residency programs teach the performing arts to local students and allow them to demonstrate their new shredding-skills on a professional stage. RockCamp is a series of three week-long summer intensives designed to teach students to play an instrument of their choice, culminating in a professional performance on the Lobero stage–the same stage recently occupied by Slash, Keb’ Mo’, Alan Parsons and more guitar greats. This program will also include one work mentorship opportunity for a student, teaching stage management and technical skills. (Presented In partnership with New Noise Music Festival.)
“I played my first violin concert at age 9 at the Lobero, and am super excited to return “home” nearly 40 years later for Danny Click’s show on May 3, as his fiddler!” – Adrienne Biggs
Adrienne Biggs, aka, Violin Femme, and her musician parents (Grammy-winning singer/arranger Salli Terri and Ojai-based composer John Biggs) lived in Santa Barbara in the 1970’s. Mom, Salli, also taught at UCSB. The Biggs family played the Lobero Theatre on Dec. 17,1975. (Check out the photo in front of the Lobero’s kiosk!)
Adrienne mentions on her facebook page that she didn’t have the typical upbringing: “Instead of vacations, our family toured professionally in nearly 30 countries, performing an eclectic program including Renaissance to Americana music on period instruments that we owned, like harpsichord, piano, krumhorns, hurdy gurdy, recorders, hand bells, portative organ, rauschpfeife and of course, violins.”
After playing in youth and then professional orchestras and ensembles, in the early 90’s Adrienne moved to San Francisco and played with numerous bands in all of the notable venues, including Danny Click and the Hell Yeahs, who take the stage by way of Sings Like Hell this Saturday, May 3.
Three of Santa Barbara’s historic theaters, The Granada Theatre, the Lobero Theatre, and the Ensemble Theatre Company at the New Vic, each with their own rich history, are collaborating in a new partnership to further promote our thriving performing arts scene. By working together as the Santa Barbara’s Historic Theatre District these three theaters are ushering in a new era of cooperative programming and access to the performing arts to Santa Barbara’s savvy patrons and presenters.
1st Thursday: After Hours heats up with spring with three more evenings in Santa Barbara’s Historic Theatre District hosted by the Lobero Theatre (Apr 3), the Granada Theatre (May 1) and The New Vic (Jun 5) who are offering fun new ways to access Santa Barbara’s Performing arts after dark.
Stay tuned for more exciting announcements from this partnership.
SBIFF moves into the Lobero for another fabulous festival season
Not to miss at the Lobero this year:
New documentary film, Lutah, honors one of the Lobero’s–and Santa Barbara’s–foremost female architects
Panels, Panels, Panels!
Minipacks on sale now at the Lobero Box Office
LUTAH explores the life of a little-known architect who left a big legacy. Lutah Maria Riggs navigated her way through the male-centric world of architecture and brought a freshness to the established architectural styles of Southern California — Including, the Lobero Theatre. This film will be shown at the Lobero on Friday 1/31 at 11 am and again on Wednesday 2/5 at 4:30pm. Read the full description here.
Riggs was responsible for the columns and capitals of the Lobero Theatre remodel and for design elements of the historic El Paseo complex and Casa del Herrero. Smith financed her second commission, her own home called Clavelitos in Montecito.The Lobero Theater is listed on the National Register of Historic Places.
Get ready for an amazing round of panel discussions with top industry talents.
These eagerly anticipated Q&A’s are a festival highlight year after year, offering insight in the multi-faceted journey from script to screen. SBIFF brings in the best of the best to discuss their trials and triumphs.
Purchase Minipacks for 4 or 10 films at the Lobero Box Office.
Package holders get to enjoy a new feature this year to reserve your spot in line. Check in for the desired film one hour before start and grab your “cue card.” Be sure to return 20 minutes before the credits roll, and you’re in. ProTip: Minipacks are great to share, that way no one gets the screen-fatigues.
Viva la film Fest. As always, keep an eye out on the TBA listings, and we’ll see you at the theatre.
When I approached David Asbell to answer the Proust Questionnaire, the executive director of the Lobero Theatre Foundation replied, “Sure, but I’m pretty boring.”
David, who has successfully run one of Santa Barbara’s performing arts jewels for years before recently spearheading its renovation, is self-deprecating and low-key, but I would never call him boring. He’s passionate about the arts in our city, and many nonprofits in our culturally sophisticated town are indebted to his devotion and commitment. One of my personal highlights of running the Santa Barbara International Film Festival for the past decade has been to call this patron of the arts my friend.
Real the full questionnaire here… including these highlights:
What is it you like most about your job?
It seems so central and important to our community. I have always worked in the arts and this particular job gives me a sense of accomplishment like no other job I have had.
What is the best thing about the new Lobero?
The best physical thing is our new entryway, the Esplanade. It is a much nicer space to meet and gather before and during a performance.
What’s your all-time favorite memory about the Lobero?
Having a drink after the concert with Bo Diddley in one of the upstairs dressing rooms. He was getting on in life, was really tired, and just opened up to me. We didn’t talk about anything all that important, but I felt I got a sense of him as a person and he had lived this incredible life. Very special.