We’re partnering with the Santa Barbara Bowl to fill both venues’ Klean Kanteen pint cups and work together toward a greener concert experience.
Purchase a reusable, built-to-last Klean Kanteen Pint to use here at the Lobero–and at the Santa Barbara Bowl–and help to save countless single-use cups from the trash.
+ $10 for Souvenir Pint
+ $17 with First Beverage
+ Save $1 on Each Refill!
Take me home with you.
In 2015, the Lobero became Santa Barbara’s first Green Business-certified historic building and theatrical venue, and we want to continue to build on that momentum. Tackling an issue like single use cups seems like a great place to go next. Since the Lobero features live performances with concessions almost 200 nights per year, creating a possibility for thousands of single-use cups to be thrown away. Just like bringing your own bag to the store or mug to the coffee shop; now we invite you to bring your reusable cup whenever you head out to see live music at your favorite Santa Barbara venues.
The Lobero Theatre is a Santa Barbara County Green Business. To earn the certification, the Lobero Theatre has implemented solutions to improve efficiency in electricity, water use, and implement a sustainable transportation plan staff members. This certification marks several years of gradual changes to ensure environmentally safe practices at the Lobero Theatre, including the City of Santa Barbara’s Recycling and Foodscraps Recycling Programs requiring the use of compostable and biodegradable plates, flatware and paper products at all Lobero events, concessions and receptions. Learn more at greenbizsbc.org.
Lobero Theatre Ghostlight Society honors jazz artist Charles Lloyd as Artistic Luminary
The Lobero Ghostlight Society is proud to present its first Artistic Luminary Award to Charles Lloyd in honor of his contributions to the genres of Jazz and American Roots Music on Friday, January 8, 2016 with guest artist and emcee, jazz guitarist John Pizzarelli. The Ghostlight Society is delighted to give this inaugural award to a Santa Barbara local and a true legend in the international jazz community. See more coverage from the Independent
Charles Lloyd was born in Memphis, Tennessee, on March 15, 1938. Like Memphis’ rich cultural and musical heritage, Charles Lloyd’s ancestry of African, Cherokee, Mongolian, and Irish cultures reflects a similarly rich inheritance. He was given his first saxophone at the age of 9, riveted by 1940’s radio broadcasts by Charlie Parker, Coleman Hawkins, Lester Young, Billie Holiday and Duke Ellington. Classical music also exerted a pull on the young Lloyd. He left Memphis in 1956 and headed to Los Angeles to earn his Master’s in music at USC. While his days were spent in academia, Lloyd spent evenings in L.A.’s jazz clubs, playing with Ornette Coleman, Billy Higgins, Charlie Haden, Eric Dolphy, Bobby Hutcherson and other leading west coast jazz artists.
Lloyd left Los Angeles in 1961 to join Chico Hamilton where he became the group’s music director. Lloyd joined the Cannonball Adderley Sextet in 1964, and performed alongside Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes. Lloyd left Cannonball Adderley in 1965 to form his own quartet, a brilliant ensemble that introduced the jazz world to the talents of pianist Keith Jarrett, drummer Jack DeJohnette and bassist Cecil McBee. Their first release together was a studio recording, Dream Weaver, followed by Forest Flower: Live at Monterey, (1966). Forest Flower made history as one of the first jazz recordings to sell a million copies, and the album’s firsts continued as it became a stunning crossover success that appealed to popular mass market audiences and gained heavy airplay on FM radio.
“”Lloyd is one of the greats, rather like Joan Miro in modern art, he has no peer save himself. Music of total transport and delight.” – Jazzwise
In 1967 Charles Lloyd was voted “Jazz Artist of the Year” by DownBeat Magazine. And then, at the height of his career in the early 1970’s, Lloyd disbanded the quartet and dropped from sight, withdrawing to pursue an inner journey in Big Sur. June 1981 was when Lloyd broke a decade of silence in the jazz world, making his first of many performances on the Lobero stage, followed by extensive touring in the U.S., Europe and Japan. In the past decade, he has graced the Lobero stage on a nearly annual basis. Read Lloyd’s full biography here.
The Lobero Ghostlight Society is the Lobero Theatre’s premier giving circle. Their strong and steady support illuminates our behind-the-scenes efforts and, like the steadfast bulb at center stage, keeps our vibrant theatre from ever going dark. Carrying on the commitment originally made in 1924 by a core group of donors responsible for rebuilding the Lobero Theatre in order to provide a lasting home for live performance in Santa Barbara, these leaders in the community embrace their vital role in keeping the arts alive and accessible for the community at large.
The Luminaries of the Ghostlight Society are a spark of brilliance, not only for the Lobero stage but also for the entire performing arts community in Santa Barbara. We honor the individuals whose passion and commitment provide for the artistry that illuminates our stage. The Ghostlight Society has recognized the following individuals as Luminaries: Lillian & Jon* Lovelace, Anne & Michael Towbes, Lyn & David Anderson, and Baroness Leni Fe Bland*.
If you’d like to learn more about the Lobero Ghostlight Society, feel free to reach out to Jim Dougherty at 805.679.6005
This week’s Independent cover story highlights Charles Lloyd, a giant of jazz, and one of the Lobero’s most celebrated alum.
Charles Lloyd has recently been honored by as an NEA Jazz Master–the “highest honor that our nation bestows on jazz artists.” Recently celebrating his 75th birthday, Charles Lloyd is more vital than ever—regularly playing in different ensembles made up of some of the most innovative players in jazz. Lloyd’s supreme improvisational talents and passion for cross-pollinating jazz with rock as well as non-Western styles of music during the ‘60s and ‘70s established him as one of the key figures in the development of fusion and world music.
The Brubeck Circle of donors has made it possible for the Lobero to bring amazing jazz, blues and roots artists like Herbie Hancock, Wayne Shorter, Dr. John, Chris Thile, Robert Cray, and Keb’ Mo’ to the stage. Jazz at the Lobero subscribers and this dedicated group of individuals anchor our various American Roots series, which are vital to to our programming.
But the Brubeck Circle does more than just bring great performers to Santa Barbara. Funds are used to ensure that local students receive music education and carry the legacy of uniquely American music into the next generation.
Contributions made by the Brubeck Circle ensures that we can continue to bring music programs to local youth, like:
Santa Barbara Vocal Jazz Foundation residencies at local elementary schools, teaching jazz history, appreciation and performance to hundreds of children each year.
Jazz and rock performances by local students on the Lobero stage, giving participants a professional performance experience with a skilled stage crew and state-of-the-art equipment.
Residencies and master classes with touring artists like Tierney Sutton, Terence Blanchard, and the Brubeck Fellows from University of the Pacific.
Free or discounted tickets to students and families for jazz and family-friendly performances at the Lobero.
Participation in these programs gives students necessary tools for future success in all aspects of life: creativity and problem solving, confidence, greater focus and dedication, and the ability to collaborate with and learn from their peers. It also inspires children to continue pursuing the arts throughout their education, and in some cases throughout their careers.
Click here to read more about this program, and we hope you’ll want to get involved. You can designate a gift to the Brubeck Circle here.
We need to talk about Jack DeJohnette, Joe Lovano, Esperanza Spalding and Leo Genovese
First of all, wow. If you haven’t heard the buzz about this incredible new jazz supergroup, it’s time to start paying attention. Their show at the Lobero on Tuesday, February 18 was an absolute stunner that kicked off the 2014 Jazz at the Lobero series. If you have friends in any of the American or European stops on their tour, spread the word that this foursome is not to be missed.
To borrow a phrase from our dear friend Hale Milgrim, we’re inviting you into “the vault.” Which, in this case, is the collection of Lobero LIVE videos we’ve recently uploaded to the Lobero YouTube channel. We’ve been lucky enough to chat with a few artists as they’ve performed at the Lobero, and saved those videos.
Check out Tom Ball and Kenny Sultan‘s impromptu jam in the greenroom, and David Lindley strummin’ away in his dressing room. We hope you enjoy the backstage banter with all these great talents. After you’ve watched, feel free to subscribe in case we’re able to get back to adding to our collection.
Below is a clip from the late Richie Havens who said it better than anyone else, back in 2007:
Adventurous jazz listeners know the basic math involved in this equation: tickets to see The Bad Plus = a great time.
Jazz’s favorite bad boys, The Bad Plus, heads back to the area to take the stage at Ojai’s Libbey Bowl next weekend to open the Ojai Music Festival on June 6. Along with works from their own collection, they’ll take on Stravinsky’s iconic “Rite of Spring” (check out the full festival preview from the Independent for more).
I’m eager to sing their praises after their recent Jazz at the Lobero season-closing performance at the Lobero with the Brad Mehldau Trio. These guys bring a ton of creativity in their instrumentation, and catchy odd-meter time signatures (Check out “Seven Minute Mind“). It’s clear that each musical choice is thoughtfully selected and balanced by the other members of the band.
Its these subtleties combined with their incredible musicianship that should serve Stravinsky’s vast score most. I mean, this is a band that clearly has a talent for uncovering the improvisational possibilities, remember their cover of “Smells Like Teen Spirit“? Imagine what will they be able to do with one of the defining works in 20th century classical music.
See you in Ojai–
Check out the full gallery of patron reception photos from The Brad Mehldau Trio and The Bad Pus here.