In this highlight from BACKSTAGE, Board president Amy MacLeod highlights stats from last year and gives a shoutout to some star performers.
Welcome to a new season at the Lobero!
photo: Jackson Augustus
As I begin my second year as Lobero Board President, I am pleased to reflect on a wonderfully successful 2016-17 season. Theatre activity was up by nearly 14% from the prior year, the community enjoyed a number of (sold out!) performances by incredible artists, and we provided a professional performing arts experience to more than 2,000 local youth through our Youth and Community Outreach programs.
I am also happy to report that the Board and staff are making clear strides toward building an endowment for the Lobero, a critical tool for ensuring the long-term stability and vibrancy of this important venue. We are committed to making sure that we leave this theatre stronger and more financially secure for the generations of artists, audiences, and volunteers who will follow in our footsteps.
As I look forward to the coming season, I’m excited for the opportunities and experiences awaiting us. Santa Barbara Revels will be premiering a brand new performance based on California and Santa Barbara history. We will also see the return of the AHA! Sing it Out program, which had their Lobero debut in April. Watching these teens overcome their challenges and perform fearlessly on stage is a touching and inspiring experience, and we are happy to be the new hosts for their annual show.
I hope you will join me often at the theatre and share another great season.
This story is currently featured in the Spring 2017 BACKSTAGE at the Lobero, but we were forced to edit it down for space. We hope you’ll read on to learn more about this powerful work of theater, and the talented team that’s putting it all together. This project is a part of the Lobero Theatre Foundation’s Youth and Community Outreach Programs.
How did you begin working with Opera for youth?
I am a Lyric Mezzo Soprano with a Masters Degree in Vocal Performance/Opera from the Manhattan School of Music. I have sung as a soloist throughout the US and Europe, and while most of the audiences I have sung for have been adults, I have always loved sharing the art form with younger audiences as well. While in New York City, I sang for the Metropolitan Opera Guild, performing outreach education to over 15,000 public school children in underserved areas, which is how I started sharing the operatic art form with youth. I started an Opera Camp at the Brooklyn Conservatory of Music in the summer, where I brought colleagues from New York City Opera and the Metropolitan Opera to do workshops and masterclasses with the children. When I moved to Ojai five years ago with my budding family, I carried on this work as an Artist-in-Residence with the Ojai Music Festival, going into the schools in Ventura County and starting a program called “Ojai Creates Opera.” I then started my own company in Ojai, “Ojai Youth Opera,” where we have been holding masterclasses, workshops and opera scenes for youth ages 7-18 every summer for the past five years. We are bringing a level of excellence in classical music education to the youth of this area and exposing them to a new art form, and the results have been truly rewarding.
There is a reason why this opera survived the war. It makes me feel there is still more insight, more hope, more tolerance, more love that can be spread and shared through this work of art. The children of Theresienstadt will forever be remembered through the voices of our children.
Tell me a little bit about this collaboration with Ojai Youth Opera and the Santa Barbara Youth Symphony for Brunidbár. How did that come together?
Maestro Protopapas had heard about what was happening in Ojai through a mutual colleague at the Santa Barbara Youth Symphony, Director Andy Radford. Maestro had been considering doing a youth production of Brundibár in Santa Barbara as an addition to the regularly scheduled OSB performances for the 2016/2017 season; what he didn’t know initially was that Ojai Youth Opera had also been planning on staging Brundibár in the Spring of 2017 as our first featured Opera! Kostis reached out to me, and we marveled at the serendipity of it all–Brundibár is not a common opera and the chances of us both being drawn to the same material at the same time are quite rare. We decided to co-collaborate and align our vision to make one production that could be performed both at Ojai’s Libbey Bowl and at the Lobero in Santa Barbara in May of 2017. We decided to share our staff, resources, and talent as a truly collaborative effort because all three organizations, Ojai Youth Opera, Opera Santa Barbara and the Santa Barbara Youth Symphony, believe strongly in the message of hope and tolerance that has inspired this opera and we believe it is timely and important to share it.
What can you tell us about the work, Brunidbár?
At its most basic level, Brundibár is a musical fable told from the perspective of a brave brother and sister who are confronted by a larger-than-life organ grinder who bullies and scares them. The animals and townspeople of their small village serve as symbols of resistance and encouragement to help the siblings find their voices and ultimately succeed in standing up to Brundibár, despite being children.
Although the story is simple, its message is anything but. Originally written in 1938, Krasa and librettist Adolf Hoffmeister created the opera for the Children’s Orphanage of Prague. It debuted in secret in 1941, due to the occupation by the German army. When the war escalated, Krasa was deported to Theresienstadt concentration camp and re-wrote the opera, (some of which was destroyed along the way) for the children and instrumentalists in the camp. Overall, Brundibár was performed 55 times by the children of Theresienstadt. Hitler failed to realize was that the opera itself was a work of resistance. The Brundibár character symbolized Hitler himself, a bully and tyrant who would stop at nothing to get his own way, including threatening small children. In this story, the children overcome the tyrant and refuse to be intimidated. The victory chorus at the end of the opera is the ultimate triumph–a defiant plea to not give into hatred, prejudice, and bigotry, sung from the courageous hearts of the children. It is their innocence and hope that prevail, and those qualities are reflected in Krasa’s score.
What do you envision for the future of the Youth Opera program?
Maestro Protopapas has said that soloists come and go, but it is the ensemble, the people who are part of the community and committed to season after season, that are really the lifeblood of the organization. My hope is that the Youth Opera program will also become a musical cornerstone for the opera company, so that year after year, we watch these children return to OSB and mature into polished young artists who become a permanent part of the ensemble. Even if they don’t become professional opera singers or classical musicians, we will be cultivating the next generation of opera aficionados, educators, leaders and advocates in a time when they are so desperately needed. Their presence in the Opera Company can, in turn, ignite a whole new audience–younger, more diverse, and open to new art forms. And in this way, we all grow.
The Brubeck Circle of donors has made it possible for the Lobero to bring amazing jazz, blues and roots artists like Herbie Hancock, Wayne Shorter, Dr. John, Chris Thile, Robert Cray, and Keb’ Mo’ to the stage. Jazz at the Lobero subscribers and this dedicated group of individuals anchor our various American Roots series, which are vital to to our programming.
But the Brubeck Circle does more than just bring great performers to Santa Barbara. Funds are used to ensure that local students receive music education and carry the legacy of uniquely American music into the next generation.
Contributions made by the Brubeck Circle ensures that we can continue to bring music programs to local youth, like:
Santa Barbara Vocal Jazz Foundation residencies at local elementary schools, teaching jazz history, appreciation and performance to hundreds of children each year.
Jazz and rock performances by local students on the Lobero stage, giving participants a professional performance experience with a skilled stage crew and state-of-the-art equipment.
Residencies and master classes with touring artists like Tierney Sutton, Terence Blanchard, and the Brubeck Fellows from University of the Pacific.
Free or discounted tickets to students and families for jazz and family-friendly performances at the Lobero.
Participation in these programs gives students necessary tools for future success in all aspects of life: creativity and problem solving, confidence, greater focus and dedication, and the ability to collaborate with and learn from their peers. It also inspires children to continue pursuing the arts throughout their education, and in some cases throughout their careers.
Click here to read more about this program, and we hope you’ll want to get involved. You can designate a gift to the Brubeck Circle here.
Jensen Guitar & Music Co.’s RockCamp starts next week!
The Lobero Theatre hosts a number of arts educational opportunities throughout the year; we love helping kids shine onstage. In 2014-15 there will be an emphasis on giving children a professional performance experience, instilling a lifelong love of the spotlight.
Coming up this summer, the Lobero is excited to have Jensen’s Guitar & Music Co. back in a Performing Arts Residency for their summer RockCamps. These residency programs teach the performing arts to local students and allow them to demonstrate their new shredding-skills on a professional stage. RockCamp is a series of three week-long summer intensives designed to teach students to play an instrument of their choice, culminating in a professional performance on the Lobero stage–the same stage recently occupied by Slash, Keb’ Mo’, Alan Parsons and more guitar greats. This program will also include one work mentorship opportunity for a student, teaching stage management and technical skills. (Presented In partnership with New Noise Music Festival.)