When the Quebe Sisters from Texas take a stage, and the triple-threat fiddle champions start playing and singing in multi-part close harmony, audiences are usually transfixed, then blown away. It’s partly because the trio’s vocal and instrumental performances are authentic all-Americana, all the time, respectful of the artists that inspired them the most.

And whether the Quebes (rhymes with “maybe”) are decked out in denims and boots or fashionably dressed to the nines in makeup, skirts and heels, the fresh-faced, clean-cut sisters, all in their 20s, look as good as they sound. Not surprisingly, the Quebe Sisters win standing ovations at just about every show. It’s been that way since 2000, when they started fiddling together as pre-teens. The sisters’ past is as colorful and eventful as their future is bright. Growing up in Burleson, a southern suburb of Fort Worth, Hulda, Sophia and Grace were ages 7, 10 and 12 in 1998 when they attended their first local fiddle competition in nearby Denton, and decided fiddling was what they wanted to do. The girls earned solo and group accolades early on, winning state and national championships in their respective age groups in 1999, 2000, 2001 and 2002.

The Quebes’ evolution from the whiz-kid Western swing fiddlers they were back then to the smokin’-hot young adult Americana band they are today is a remarkable story, by any measure. Along with headlining their own shows to ever-growing audiences, they’ve shared stages with American music legends like Willie Nelson, George Strait, Merle Haggard, Ricky Skaggs & Kentucky Thunder, Ray Price, Connie Smith, Marty Stuart, Larry Gatlin and the Gatlin Brothers, Ray Benson and Asleep at the Wheel, Riders in the Sky and many others. Today, after more than a decade of travelling the U.S. and the world, and recording three acclaimed albums, Grace, Sophia and Hulda Quebe are pros in a variety of genres, and count many famous musicians among their biggest boosters. The Quebes’ unbridled passion for American music, along with their talent, skills and a lot of hard work, have taken them far beyond their wildest early aspirations.

“One thing is for sure, you don’t see a group like The Quebe Sisters come along every day,” famed Opry announcer Eddie Stubbs told listeners on his own show on Nashville’s WSM. “Give them your undivided attention, and if you’re not already, you too, will become a fan.”

Jeffrey Halford, a soulful singer-songwriter whose musical and literary influences range from Roger Miller and Johnny Cash, to Raymond Carver and Pablo Neruda, is also a ferocious slide guitar player who has shared the stage with the likes of Taj Mahal, Los Lobos, Etta James, The Radiators, Robert Earl Keen, John Hammond, and Dave Alvin, just to name a few.     http://jeffreyhalford.com/epk/

It may be her haunting, husky voice that first grabs a listener, the way it glides over melodies like smoke, but it’s the songwriting that Amilia K. Spicer really wants you to hear. It fuses together the different places she calls home: Raised in rural Pennyslvania, currently residing in California, spending half the year in Austin, the topography covers languid farm landscapes, red dirt Americana, and an occasional turn down a dark alley with flickering neon.

The Peterson Brothers possess a uniquely modern blend of blues, soul, and funk. Alex, 17, on bass and vocals, and Glenn Jr., 20, on guitar and lead vocals, have grown up playing together since they were very young. Rising stars in Austin, Texas, the Peterson Brothers self-titled debut album won the Living Blues Critics Award for Best Debut Blues Album of 2015. In addition to holding a standing room only weekly residency at Austin’s famed music hall The Continental Club, Glenn and Alex are honing their chops daily, and are dazzling audiences playing gigs throughout the United States. The Peterson Brothers have appeared at the Chicago Blues Festival, Minnesota State Fair, Riverbend Festival, Austin City Limits Festival, Ogden Roots and Blues, and many more.

They have opened for the likes of Gary Clark Jr., Los Lonely Boys, the late B.B. King, Willie Nelson, and Lisa Marie Presley.  The Peterson Brothers have also opened for and played with Buddy Guy and gained the attention of the one and only Bootsy Collins, who has become a true mentor.

“The only thing missing from the Peterson Brothers Band is the word “amazing” at the front of the name.” – San Antonio Express-News

“The Peterson Brothers Band are the new rising stars on the Austin music scene.” – Examiner.com

Sam Baker is a man of few words. Always beautifully chosen, and fully wrought. Each piece is imprinted with a theme: everyone is at the mercy of another one’s dreams, how beautiful are these days, and talk about forgiveness. His latest release, ‘say grace,’ was named one of the Top Ten Country Albums of 2013 by Rolling Stone Magazine.

Peter Case is a Grammy-nominated American singer-songwriter and guitarist whose multi-decade career has ranged from front man of ’80s jangle pop heroes the Plimsouls to full-throated band leader and solo acoustic troubadour. With a knack for great melodic storytelling and blessed with a golden throat, Case’s appearance on Seckler Stage promises to be nothing short of memorable. To hear his music, go to http://petercase.com/music/.

Albert was born on December 21, 1943 in Herefordshire, England, before moving and growing up in Blackheath, London. He was first introduced to music with the piano, taking lessons aged seven, learning the classics and pop tunes before the likes of Jerry Lee Lewis inspired him to take up guitar.

Albert was treated one Christmas to a Hofner President acoustic arch-top, and from there he never looked back. Spurred on by the recordings of Jimmy Bryant, Buddy Holly and The Crickets, Gene Vincent and The Everly Brothers, Albert left school at sixteen and turned pro, getting regular gigs at the 2 i’s Coffee Bar and The Flamingo Club in London – first with Bob Xavier’s band, and then with The Jury. He replaced Jimmy Page in The Crusaders before joining Chris Farlowe and The Thunderbirds in ‘64.

He soon found his favoured guitar of choice, the Fender Telecaster, whilst everyone else was playing Gibson Les Pauls and Stratocasters. Albert admitted to feeling like the odd man out as his appreciation for American country artists grew, and he formed the band Country Fever. He began working with Poet & The One Man Band, who later turned into Heads, Hands & Feet when Jerry Donahue and Pat Donaldson (of Country Fever) were replaced by Albert and Chas Hodges. Their self-titled debut album featured the original “Country Boy”, now synonymous with Albert’s trademark picking style.

The U.S eventually beckoned, and Albert began doing session work and briefly toured with The Crickets in 1973. He moved to Los Angeles, where he met his idols Phil and Don Everly, and Don invited Albert to play with him and pedal steel legend Buddy Emmons. After working on Don’s second album, Albert left to join Joe Cocker’s band and was replaced by Lindsey Buckingham.

Albert’s reputation was growing as he moved to Encino, and met his wife Karen whilst rehearsing up in Santa Barbara with Joe Cocker and his band before they went on the road. He contributed to Cocker’s “Sting Ray”, and was then approached by A&M about putting together a solo album.

At a pivotal point in his career, Albert was asked by Emmylou Harris to replace James Burton – one of his guitar heroes – who was leaving for Elvis Presley’s band. In 1976 he joined the Hot Band, and his incredible guitar work came to the fore on the “Luxury Liner” LP. Albert released his first solo album “Hiding”, produced by Brian Ahern, which featured perhaps the definite version of “Country Boy” with Emmylou on backing vocals and Ricky Skaggs on fiddle.

When he returned to London in 1978 for session recording, Albert met Eric Clapton. He was invited to join his band and played on Clapton’s live album “Just One Night”, which featured Albert on lead vocals for a cover of Mark Knopfler’s “Setting Me Up”. Albert would work with Eric for five years before he left and released his second solo album, the self-titled “Albert Lee” in 1982.

Albert fulfilled his boyhood dream to play with the Everly Brothers in 1983 when he acted as guitarist and musical director for their reunion concert at the Royal Albert Hall. Since then he would regularly tour with the Everlys on and off for 20 years. After two instrumental albums – “Speechless” (1986) and “Gagged But Not Bound” (1987) – steel player Gerry Hogan invited Albert to headline at a festival in Newbury, England – fronting his own band for the very first time, Hogan’s Heroes.

As Albert toured with Hogan’s Heroes through the late 80s, he began his long association with Ernie Ball Music Man, who would eventually (through many iterations) produce his signature guitar that he tours and records with today. In 2002 he would join Eric Clapton, Tom Petty, Paul McCartney and other music legends on stage at the Concert for George at the Royal Albert Hall.

Albert also received a Grammy Award in 2002 for his contribution to “Foggy Mountain Breakdown” featured on “Earl Scruggs and Friends”. He appeared for the first time at Clapton’s Crossroads Guitar Festival in 2007, now an annual appearance, and has toured periodically for the last few years with ex-Stones bassist Bill Wyman’s Rhythm Kings, performing with Georgie Fame. Joining his hero James Burton, along with the likes of Vince Gill and John Jorgenson, Albert won a Grammy for his performance on Brad Paisley’s instrumental “Cluster Pluck” in 2009.

 Grammy nominated guitarist, singer and songwriter Bill Kirchen is one of the fortunate few who can step on any stage, play those trademark licks which drove the seminal Commander Cody classic Hot Rod Lincoln into the Top Ten nationwide, and elicit instant recognition. Named a “Titan of the Telecaster” by Guitar Player Magazine, he celebrates a musical tradition that embraces rock ‘n’ roll, blues and bluegrass, Texas Western swing and California honkytonk. Nick Lowe describes Bill as “… a devastating culmination of the elegant and funky… a really sensational musician, with enormous depth.”

 Jimmie Dale Gilmore has been writing and playing songs for more than 50 years. His music eludes categorization, blending elements of folk, rock, country, blues and bluegrass. His recordings have earned three Grammy nominations in both Contemporary Folk and Traditional Folk categories and he was named Country Artist of the Year three years running by Rolling Stone Magazine. His high and lonesome vocal style, coupled with sometimes mystical and poetic lyrics, has led to musical brandings such as Sagebrush Soul, Zen Country and Western Beat. Along with Joe Ely and Butch Hancock, Gilmore’s legendary band The Flatlanders has been credited as fathers of the Alt-country movement.

Colin Gilmore grew up in Lubbock, Texas, spending many nights as a child in nightclubs like Stubbs, where he witnessed songwriters like Joe Ely, Terry Allen, and his own father, Jimmie Dale Gilmore, bring the stage to life. He later developed a taste for Buddy Holly, Townes Van Zandt, and bands like The Clash and The Pogues. For 14 years, Colin has been informed by these observations, writing songs and playing shows in a style that is truly his own. His three full length albums have won critical acclaim and a fan base that spans the world. His second album Goodnight Lane received 4-star reviews in Mojo and Uncut, and his latest album The Wild and Hollow was named “Best Americana/singer-songwriter album of 2013” by Huffington Post’s Mike Ragogna. He recently performed in, wrote songs for and selected the other original songs for the film La Barracuda, which received loads of critical praise at the SXSW 2017 film festival and was noted for the effect the music had on the film. Colin is currently working on another album with legendary producer Richard Barone.

“Colin is clearly his own man in his own world. His easygoing, conversational voice summons the same spirits Woody Guthrie and the young Bob Dylan walked with… I want to hear more.” — John Swenson, Twisted South Magazine