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Windham Hill

by Genevieve Rhiger
June 6, 2016

Celebrate the winter solstice and its warm traditions with a concert of original and traditional acoustic music drawn from the multi-platinum selling Winter Solstice series as well as their many solo releases. Windham Hill founder and Grammy-winning guitarist, Will Ackerman, and Grammy Award-nominated singer, fiddler, pianist, and songwriter Barbara Higbie, and the Grammy-nominated guitarist and composer Alex de Grassi come together to lead joyous holiday concerts.

About Windham Hill

William Ackerman founded Windham Hill Records in Palo Alto in 1975. The label’s audiophile recordings were a run-away success with critics and audiences alike. Musicians including Michael Hedges, George Winston, Will Ackerman, Alex de Grassi, Barbara Higbie and Darol Anger and their group Montreux, Liz Story, Mark Isham, and Tuck and Patty quickly became internationally recognized. The name “Windham Hill” became synonymous with the best in acoustic music in the 1980s and 90s. Windham Hill’s 10 Winter Solstice compilation recordings, selling in the many millions, “changed people’s conceptions of seasonal music” (John Diliberto, Echoes radio show host). The Winter Solstice Concerts bring the music of Windham Hill full circle, 40 years after it was originally conceived on the Stanford campus.

 

Just added!

ELLEN SANDERS

San Diego native, Ellen Sanders, joins the Winter Solstice Concerts via the Oberlin Conservatory, the S.F. Opera Orchestra, Opera San Jose, the S.F. Conservatory and the Sun Valley Summer Symphony. An exuberant artist with a world class sound, Ellen is a classical virtuoso who can improvise and swing. She recently moved from Oakland, CA to Hailey, Idaho for a position conducting the Youth Orchestra and teaching strings.

 

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Shawn Colvin/Steve Earle

by Genevieve Rhiger
June 6, 2016

As Colvin & Earle, longtime friends and admirers Shawn Colvin and Steve Earle have united to record their self-titled debut, a true standout in careers already filled with pinnacles and masterpieces.  Few things can touch the magic of artists so in tune that they seem to be able to read each other’s minds. Colvin & Earle live is a prime showcase for their inimitable vocals, mesmerizing guitar playing and witty storytelling. The evening promises to be a rich and inspiring musical experience as the pair share the stage performing songs from their new album and extensive catalogues as well as some of their favorite songs by other classic songwriters.

 

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CAMA 1617 – April 6

by Genevieve Rhiger
May 31, 2016

Grammy® Award-winning Susan Graham has been honored as Musical America’s Vocalist of the Year (2004). As one of today’s foremost interpreters of French vocal music, the Texas native was awarded the French government’s “Chavalier de la Legion d’Honneur.” In an exceptionally fascinating program of songs in seven languages, Graham takes Schumann’s song cycle “Frauenliebe und -leben (A Woman’s Love and Life)” as point of departure in a deepdiving journey into an ocean of two centuries’ span of art songs that develop the themes touched on in the composer’s lyrical monument.

Songs from Robert Schumann’s Frauenliebe und -leben and works inspired by or related to the cycle by Edvard Grieg, Richard Strauss, John Dankworth, Gabriel Fauré, Ture Rangström, Gustav Mahler, Joaquín Turina, Maurice Ravel, Henri Duparc, Claude Debussy, Pyotr Tchaikovsky, Francis Poulenc, Hector Berlioz, Enrique Granados and Roger Quilter.

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CAMA 1617 – March 8

by Genevieve Rhiger
May 31, 2016

Tafelmusik Baroque Orchestra presents J.S. Bach: The Circle of Creation – a celebration of the genius of Bach and the latest multi-media creation by Alison Mackay, the creator of phenomenally successful Tafelmusik productions seen around the world including The Galileo Project and House of Dreams. J.S. Bach: The Circle of Creation combines text, music, and stunning projected video and images to explore the world of the artisans – papermakers, violin carvers, string spinners, and performers — who helped J.S. Bach realize his musical genius. This all-Bach program is performed by Tafelmusik musicians entirely from memory.

ALL-BACH PROGRAM, including:

Brandenburg Concerto No.3 in G Major, BWV1048

“Sheep may safely graze,” from Cantata 208/9

Chorale “Wachet auf” from Cantata 42/7

Excerpts from Goldberg Variations, BWV988

Excerpts from Orchestral Suite No.1 in C Major, BWV1066

THERE WILL BE NO LATE SEATING FOR THIS PERFORMANCE

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CAMA 1617 – November 22

by Genevieve Rhiger
May 31, 2016

Augustin Hadelich returns to Santa Barbara following his captivating performance with Orpheus Chamber Orchestra in last season’s International Series. Astonishing audiences with his phenomenal technique and gorgeous tone, Hadelich was awarded the inaugural Warner Music Prize, and just months later won the 2015 Grammy® for “Best Classical Instrumental Solo.” Hadelich plays the “Kiesewetter” Stradivarius violin, crafted in Cremona c.1723. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Joyce Yang showcases her colorful musical personality in solo recitals and in collaborations with the world’s top orchestras and chamber musicians.

Ludwig van Beethoven: Sonata for Violin and Piano No.8 in G Major, Op.30, No.3

Brett Dean: Berlin Music (2010)

Eugène Ysaÿe: Sonata for Solo Violin in E Major, Op.27, No.6, “Manuel Quiroga”

César Franck: Sonata for Violin and Piano in A Major (1886)

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CAMA1617 – October 17

by Genevieve Rhiger
May 31, 2016

Pianist Jonathan Biss teams up with the Brentano Quartet for THE LATE STYLE, an unforgettable evening of some of Beethoven’s most profound and searching masterpieces, including the final piano sonata and final string quartet. Quartet-in-Residence at Princeton University for fifteen years, the Brentano Quartet is now Quartet-in-Residence at Yale School of Music since 2014. Jonathan Biss is world-renowned for his deep musical and intellectual curiosity, performing a diverse repertoire in concert and in recording. In 2016 he releases the fifth volume of his nine-year, nine-disc recording cycle of Beethoven’s complete piano sonatas.

ALL-BEETHOVEN PROGRAM:

Violin Sonata No.10 in G Major, Op.96

Piano Sonata No.32 in C minor, Op.111

String Quartet No.16 in F Major, Op.135, „Muß es sein?“

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Brian Culbertson

by Genevieve Rhiger
May 25, 2016

Brian Culbertson is an award-winning multi-instrumentalist, writer and producer who crosses genres between contemporary jazz, R&B, and funk. Heralding from the musically rich city of Chicago, he began his musical studies at the early age of 8 on piano and quickly picked up several other instruments by age 12 including drums, trombone, bass, & euphonium. Inspired by the great R&B/Jazz/Pop artists of the 70’s like EWF, Tower of Power, Chicago, David Sanborn, and others, Brian Culbertson started composing original music for his seventh grade piano recital and hasn’t stopped having self-produced 16 solo albums, most of which have topped the Billboard Contemporary Jazz charts.

Having worked and performed with countless industry all-stars like Michael McDonald, Chris Botti, Ledisi, Barry Manilow, Herb Alpert, Natalie Cole, Chuck Brown, and Bootsy Collins just to name a few, Brian has received numerous awards including being nominated for a 2012 NAACP Image Award and a 2012 Soul Train Award. Also in 2012, he founded the Napa Valley Jazz Getaway now in it’s fifth year.

Brian is always striving to push the boundaries of the jazz scene, which is evident by his forthcoming album, Funk! due out this September. This new set is a throwback to the stanky P-Funk records from back in the day combining infectious bass lines, greasy horn licks, sing-a-long hooks and of course, landing hard on the ‘One.’ This record is also a follow-up to his widely successful Bringing Back The Funk album from 2008, which was co-produced by the late Maurice White of Earth, Wind & Fire.

Regardless of his success, fans can be rest assured that with the 16 albums and counting, Brian Culbertson always brings his very best – and brings the very best out of others – in all his broad-ranging musical endeavors.

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Kris Kristofferson

by Genevieve Rhiger
May 25, 2016

Kris Kristofferson has been making things happen his entire life. Born in Texas and raised in a military family, he was a Golden Gloves boxer who studied creative writing at Pomona College in California. In 1965, Kristofferson turned down an assignment to teach at West Point and, inspired by songwriters like Willie Nelson and Johnny Cash, moved to Nashville to pursue his music. 

After struggling in Music City for several years, Kristofferson achieved remarkable success as a country songwriter at the start of the 1970’s. His chart-topping hit songs “Me and Bobby McGee,” “Help Me Make It Through the Night,” “Sunday Morning Coming Down,” and “For the Good Times,” helped redefine country songwriting. By 1987, it was estimated that more than 450 artists had recorded Kristofferson’s compositions. 

Heralded as an artist’s artist, the three-time GRAMMY winner has recorded 27 albums, including three with pals Willie Nelson, Johnny Cash and Waylon Jennings as part of the Highwaymen. Kristofferson has spent three decades performing concerts all over the world, in most recent years in a solo acoustic setting.

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Robert Cray

by Genevieve Rhiger
May 24, 2016

Blues guitarist Robert Cray, a five-time GRAMMY winner and Blues Hall of Famer, is one of his generation’s great musical storytellers. He has written or performed with everyone from Eric Clapton to Stevie Ray Vaughan, from Bonnie Raitt to John Lee Hooker.

With 20 studio albums to his credit, including the most recent 4 Nights of 40 Years Live the five-time GRAMMY® winner (and 15-time nominee) reasserts his position as one of his generation’s great musical storytellers—this time steeped in the down-home sound and rich emotion of Southern Soul, yet never straying far from his incomparable guitar mastery.

 “One of the most reliable pleasures of soul and blues for over three decades now.” – The New Yorker


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Charles Lloyd & The Marvels

by Gina Graham
May 17, 2016

Lloyd’s supreme improvisational talents and passion for cross-pollinating jazz is alive and well with The Marvels. This exciting new collaboration highlights the guitar wizardry of Bill Frisell and slide guitarist Greg Leisz. Their recent release, I Long to See You has been met with wide critical praise.

Charles Lloyd has just come off a huge year in 2015 – becoming an NEA JazzMaster, and releasing two critically acclaimed albums, Wild Man Dance with his Quartet, and, I Long To See You, with the Marvels.

“Every Lloyd concert is unique. And this one, with special guests Bill Frisell and Greg Leisz, was a striking display of contemporary jazz improvisation at its finest. ” — International Review of Music

“Mr. Lloyd sets the pace, and this performance conveyed much of what you’d need to know about his values as an artist: soulfulness, mindfulness, generosity, balance.” — New York Times

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The Los Angeles Guitar Quartet

by Gina Graham
May 17, 2016

For over three decades on the concert stage, the members of the GRAMMY® Award-winning Los Angeles Guitar Quartet, John Dearman, Matthew Greif, William Kanengiser, and Scott Tennant, have continually set the standard for expression and virtuosity among guitar ensembles, while perennially redefining themselves in their musical explorations.

These master musicians will present the west coast premiere of a new composition by Pat Metheny, Road to the Sun in a jazz-infused evening also featuring the music of Antonio Carlos Jobim, Miles Davis and John Coltrane.

“Road to the Sun” is a major new composition for four guitars by jazz guitar legend Pat Metheny, written for and dedicated to the Los Angeles Guitar Quartet. Pat and LAGQ first spoke about a possible collaboration after an LAGQ concert at a guitar festival near Montana’s beautiful Glacier National Park. The next day, Pat visited the park, following the picturesque Going-to-the-Sun Road” while the musical possibilities of four nylon-string guitars ran through his imagination.

“It’s quite a journey up through some beautiful terrain,” says the LAGQ’s Bill Kanengiser, “so that must have stuck in his head when he finally started putting some ideas on paper.”

With “Road to the Sun,” Pat made a conscious decision to incorporate what has become his trademark style, but he also wanted to “reach for the narrative element of storytelling that is the imperative and primary function for me always as a musician.” He calls the new work an “emotional journey,” that took him “to a very personal area of what music itself is to me.”

While the 20-time Grammy winning guitarist is an inspiration to many guitar players across all genres, (LAGQ included a tribute to him on their Grammy Winning “Guitar Heroes” CD), he says he doesn’t really “spend a whole lot of time thinking about the instrument in a specific way.” And perhaps surprisingly, most of his composing work happens at the piano, which he calls “a much more forgiving and logical universe to write in than the odd geometry of guitar-thought.”

What he originally intended to be a 7 to 9-minute concert piece turned into a nearly 30-minute, six movement treatise on “what can happen in a multi-guitar format, blazingly inspired by the thought of hearing these four incredible guitarists play these notes. While there is a lot of my sensibility embedded in the notes, there is also a lot of room for each of them to bring their individual and collective identities to it as well.”

 

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An Evening With Pat Metheny

by Gina Graham
May 17, 2016

20 time GRAMMY® winning guitarist Pat Metheny has announced an extended run of dates around the world for 2016 under the auspices of “An Evening with Pat Metheny”. Recently inducted into the Downbeat Hall of Fame as its youngest member and only the fourth guitarist (joining Django Reinhardt, Charlie Christian and Wes Montgomery), Metheny will present a range of music from throughout his career.
Joining Pat will be his long time drummer Antonio Sanchez, Malaysian/Australian bassist Linda Oh, and British pianist Gwilym Simcock.

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Bill Carter

by Gina Graham
April 29, 2016

Bill Carter

Austin-based singer-songwriter Bill Carter’s list of bona fides is so long, it’s hard to decide which credits to note first. Carter’s songs have been covered by scores of major artists, from John Mayall and Ruth Brown to Robert Palmer and Waylon Jennings.

Beaver Nelson

Hailed as a prodigy by Rolling Stone at the tender age of 19, Beaver has released 7 albums since then, but not before getting churned through the major label blender first. By the age of 22 he had two failed record deals and had seen enough of that world to back away. He fronted a rock band for years before returning to solo performance and focusing on songwriting in the wake of the passing of his idol, Townes Van Zandt.

Nelson began playing guitar at 14 and was introduced to Bob Dylan, the Rolling Stones, Lou Reed and Bruce Springsteen by two of his camp counselors. He began to write and record songs, assembling handmade cassettes to sell to friends. He began exploring the Austin open mic scene during high school, driving up from his home in Houston. The vibrant and ultra-supportive scene introduced him to Jimmy La Fave, Jo Carol Pierce and others as well as Troy Campbell and Scrappy Jud Newcomb, members of the great Austin rock band Loose Diamonds.

By the early 90s he was touring and beginning the frustrating major label period in his life, with deals that fell through and a shelved album that did not sound “grunge” enough for the A&R flacks. By the time he signed with Austin-based Freedom Records and released his debut, he had emerged as one of “the most promising writers of the entire decade,” according to AllMusic.com. His music has been feted in Rolling Stone, Texas Monthly, Mojo and No Depression, among many others.

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Pete & Maura Kennedy with Radoslav Lorkovic + Dead Rock West

by Gina Graham
April 29, 2016

The Kennedys

Pete and Maura Kennedy, both East Coast natives, met in Austin, Texas. The Kennedys duo seamlessly weaves their influences over the last two decades; Buddy Holly style roots, the tuneful cadences of the Everly Brothers, and the ringing 12-string jangle of the early Byrds, interspersed with darker moments that recall British folk rock a la Fairport Convention. Two decades on, The Kennedys are hitting a songwriting high point, and from that point they follow the well-worn American path West.

Radoslav Lorković

Drawing from a multitude of influences ranging from elegant classical and jazz styles to the rawest, most basic blues, country and soul, Radoslav Lorković has taken on an unusually broad musical spectrum and refined it into his distinctive piano style. His tenure on the R&B and folk circuits has culminated in five critically acclaimed solo recordings and numerous appearances on the recordings of and performances with artists including Odetta, Jimmy LaFave, Ribbon of Highway Woody Guthrie Tribute, Greg Brown, Richard Shindell, Ellis Paul, Ronny Cox, Dave Moore, Andy White, and Bo Ramsey.

 

RadoslavLorkovic_Road

Dead Rock West

X meets Wilco? A dream combination for fans of roots-inspired, punk-spirited rock, and one that somehow congeals in Dead Rock West.

deadrockwest

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Eric Taylor + Kevin Gordon

by Gina Graham
April 29, 2016

Eric Taylor is a sage musician, a lyrical genius and a master of the guitar. Those familiar with the intricate Texas singer/ songwriter jigsaw puzzle, probably already know a lot about Taylor. His songs have been performed by people such as Nanci Griffith and Lyle Lovett., and he has created a multitude of fans and devotees that consider Taylor to be a teacher and a lantern bearer whose time is long overdue.


A Louisiana native, now 20-year East Nashville resident, Kevin Gordon is a touring recording artist and songwriter. His latest release, Long Gone Time, has garnered high critical praise, just like 2012’s Gloryland, which got rave reviews in The New York Times, USA Today, Rolling Stone, and many others.. Gordon’s songs have been recorded by Keith Richards, Levon Helm, Hard Working Americans (Todd Snider), Irma Thomas, and others.

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