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MLT – Valentunes

by Genevieve Rhiger
January 6, 2017

The Marjorie Luke Theatre proudly presents the incredibly talented a cappella groups from UC Santa Barbara. Featuring performances from BFOMInterVals, and VocalMotion, this entertaining concert is the perfect way to get in the spirit for Valentine’s Day with your special someone, friends, and family alike. As a special treat, this show will be hosted by hilarious members of UCSB’s premiere improv group, Improvability. Don’t miss this spectacular evening of entertainment!

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SLH40 – Charlie Faye & The Fayettes

by Gina Graham
December 14, 2016

Charlie Faye & the Fayettes

Charlie Faye & the Fayettes weren’t around in the 60’s, but this Austin trio are so good at building a groove rooted in that rich time, it’s as if they’re channelers. Actually, they are, but don’t think “nostalgia act”; both onstage and on their self-titled release, Charlie Faye & the Fayettes (2016), they craft smart soul-pop that merges the swinging, swaying sound and style of ‘60s girl groups with a modern vibe that’s so current, they’re dancing to the forefront of a retro revival.

 

Eric Ambel

Eric Ambel is a celebrated guitar-player who has made enduring music as a solo artist and as a member of the Del-lords, the Yayhoos and his own legendary combo Roscoe’s Gang. His inventive guitar work has graced albums by everyone from Steve Earle to Joan Jett to Run-DMC. He is also a producer of note, most recently having produced the latest Bottle Rockets album. Ambel has just released his 4th studio record titled Lakeside.  It’s a rough and tumble tribute to the bar he owned for 16 years in NYC’s East Village. 

As dirty and messy as Ambel can get, there’s a level of craft in what he does that’s rarely seen these days. And while he’s known first and foremost as a guitarist, he really hit the vocals out of the park here. Other guys get old and reedy and raspy; Ambel sounds about 25, full of piss and vinegar.” – New York Music Daily

Ericambel.com

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SLH40 – The Mastersons + Mike Stinson

by Gina Graham
December 14, 2016

“The first thing people usually ask us is ‘What’s it like as a husband and wife playing music together?,'” says Chris Masterson. “We always say that the lows are low, but the highs are really  high.”

There are plenty of highs on Good Luck Charm , the second album by The Mastersons, the collaboration that Chris shares with his marital and musical partner Eleanor Whitmore. Generously filled with infectious melodies, instinctive harmonies and vividly insightful lyrics, Good Luck Charm  embodies the uncanny rapport that singerguitarist Chris and singer-violinist-guitarist Eleanor have developed in their experiences living, touring and making music together.

The Austin, TX-based duo’s lilting songcraft and charismatic chemistry have already won over listeners around the world, thanks to the couples ongoing status as members of Steve Earle’s band The Dukes, their frequent opening sets for Earle, and their critically-lauded 2012 debut album, Birds Fly South .

Although Good Luck Charm  is the Mastersons’ second album, in many ways it’s their first full-on collaboration. Whereas Birds Fly South  consisted largely of songs that they’d composed individually, all of Good Luck Charm’s material was co-written by Chris and Eleanor, giving the material added depth as well as a powerful collective lyrical identity that’s matched by their expressive harmonies.

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SLH40 – Eric Anderson, Dan Navarro, Steve Postell and Danny Kortchmar

by Gina Graham
December 14, 2016

Eric Andersen is a first-generation standout in the Greenwich Village folk revival of the 1960s. At age 20, he was celebrated as an emerging star of the Village folk scene by New York Times critic Robert Shelton, who famously championed the young Dylan a few years prior. Over a career spanning 28 releases, he has embodied the popular transition from acoustic American roots music and politically motivated topical song in the ’60s to the mellower, brilliant and more personally inspired singer-songwriter movement of the ’70s and beyond.

Eric has been known as a ‘songwriters songwriter’. His songs have been recorded by some of the best ranging from Judy Collins and Fairport Convention to Bob Dylan, Linda Ronstadt, and The Grateful Dead among others. Eric Andersen’s voice, songs, guitar and piano playing created a career that has spanned over 45 years.

In 2017, Sony Legacy Records will be releasing a 40 song retrospective on Eric’s career. There will also be a documentary film on Eric’s 50 years in music entitled “The Song-poet” (http://www.towardcastlefilms.com/filmography/thesongpoet) to be released next year. Always creative, on the top of his game and ready to show new generations why he is “a singer and songwriter of the first rank” (NY Times) and a national treasure.

“Andersen is the most elegant of singers.” – Rolling Stone Magazine

“A singer and songwriter of the first rank.” – New York Times

“Eric Andersen is a great ballad singer and writer.” – Bob Dylan

 

 Eric Andersen’s band is Steve Postell, Scarlett Rivera and Cheryl Prashker.

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SLH40 – Rodney Crowell

by Genevieve Rhiger
December 14, 2016

Crowell is a multi-Grammy winner, a member of the Nashville Songwriters Hall of Fame and the recipient of the 2009 Lifetime Achievement Award for Songwriting from the Americana Music Association. His songs have been covered and performed by an eminent group of musicians, including Van Morrison, Johnny Cash, Waylon Jennings, Etta James, George Strait, Royksopp, Tim McGraw and Bob Seger. Yet he’s taken his place among America’s greatest songwriters not with laurels and banquets but with excellent new work.

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SLH40 – Alejandro Escovedo

by Genevieve Rhiger
December 14, 2016

In a trailblazing career that began with The Nuns, San Francisco’s famed punk innovators, to the Austin-based-based alt-country rock pioneers, Rank & File, to Texas bred darlings, True Believers, through countless all-star collaborations and tribute album appearances and finally a series of beloved solo albums beginning with 1992’s acclaimed Gravity, Escovedo has earned a surplus of distinctions: No Depression magazine’s Artist of the Decade Award in 1998 and the Americana Music Association’s Lifetime Achievement Award.

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SLH40 – Jackshit

by Genevieve Rhiger
December 14, 2016

From deep in heart of Cochtotan, CA, comes possibly the greatest rock band in the world. With two Hall of Famers and a guitar slinger of fearsome reputation, JackShit is poised to take on the known universe. Get ready, Santa Barbara: here comes Pete Thomas, Davey Faragher and Val McCallum… JackShit!

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John Pizzarelli

by Gina Graham
December 6, 2016

Using performers like Nat “King” Cole, Frank Sinatra and Joao Gilberto and the songs of composers from Richard Rodgers, George Gershwin to James Taylor, Antonio Carlos Jobim and Lennon & McCartney as touchstones, John Pizzarelli has established himself as one of the prime interpreters of the Great American Songbook and beyond, bringing to his work the cool jazz ­flavor of his brilliant guitar playing and singing.

John Pizzarelli, the world-renowned jazz guitarist and singer, was called “Hip with a wink” by Town & Country, “madly creative” by the Los Angeles Times and “the genial genius of the guitar” by The Toronto Star. After his recent smash success with the Boston Pops, he was hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.” And the Seattle Times called him “a tour de force” and “a rare entertainer of the old school.”

 

The Squire Foundation will host a special pre-concert Meet & Greet with NY Abstract painter Peter Bradley. Meet & Greet begins at 6:45 pm on the Lobero Esplanade. Please click here for more information.

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Poncho Sanchez and his Latin Jazz Band

by Cecilia Martini-Muth
December 6, 2016

For more than three decades as both a leader and a sideman, conguero Poncho Sanchez has stirred up a fiery stew of straightahead jazz, gritty soul music, and infectious melodies and rhythms from a variety of Latin American and South American sources. His influences are numerous, but among the more prominent figures that inform his music are two of the primary architects of Latin jazz – conga drummer and composer Chano Pozo and trumpeter Dizzy Gillespie.

“North America’s (if not the world’s) most popular conguero bandleader.” – JazzTimes

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Maria Schneider Orchestra

by Gina Graham
December 6, 2016

Maria Schneider’s music has been hailed by critics as, “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known in 1994 when they released their first recording, Evanescence. Schneider has developed a personal way of writing for her 17-member collective made up of many of the finest musicians in jazz today, tailoring compositions to distinctly highlight the uniquely creative voices of the group.

“Maria Schneider is a national treasure.” – NPR

“The Maria Schneider Orchestra, Led by Ms. Schneider, a composer and orchestrator of penetrating insight, this group has an ambitiously realized new album “The Thompson Fields,” its first release in eight years – that underscores its stature as the pre-eminent large ensemble of our time.” – THE NEW YORK TIMES

 

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SB Teen Dance Star

by Genevieve Rhiger
December 1, 2016

The producers of the popular regional singing competition Teen Star are excited to announce their newest project, Teen Dance Star. Teen Dance Star will bring Santa Barbara County’s best young dancers to share the Lobero Stage for an opportunity to showcase their talent and vie for a scholarship. This unique event brings teen dancers across several genres – ballet, modern, flamenco, hip-hop, jazz, tap, and more. The showcase finale will feature a high-energy group performance number, celebrity judges from the dance world and from TV’s popular show “So You Think You Can Dance.”

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Welcome to Night Vale

by Genevieve Rhiger
November 28, 2016

A live performance of the hit/cult podcast Welcome To Night Vale, a twice-monthly podcast in the style of community updates for the small desert town of Night Vale, featuring local weather, news, announcements from the Sheriff’s Secret Police, mysterious lights in the night sky, dark hooded figures with unknowable powers, and cultural events… Turn on your radio and hide. Welcome To Night Vale Live stars Cecil Baldwin, with special musical guest Erin McKeown and live music by Disparition, performing “Ghost Stories,” their creepiest and most ambitious live show yet.

“A geeky cultural gem” – CBC

“Incredible, spooky, funny, and monumentally charming” – BoingBoing

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The Capitol Steps

by Genevieve Rhiger
November 28, 2016

No one in the headlines is safe from the side-splitting satire of the Capitol Steps, the only group in Washington attempting to be funnier than Congress. This troupe of former Congressional staffers travels the country satirizing the very people and places that once employed them. Although not all of the current members of the Steps are former Capitol Hill staffers, taken together the performers have worked in a total of eighteen Congressional offices and represent 62 years of collective House and Senate staff experience. Now in their 30th year, the Cap Steps continue to tour the U.S. presenting their unique brand of witty partisan mockery directly to their constituents. “When it comes to satire,” says the Washington Post, “you haven’t seen the real thing until you have been to the Capitol Steps.”

“[Capitol Steps] brings chuckles…rave reviews…guffaws…and bipartisan grins all around.” —Wall Street Journal

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Hot Tuna – Acoustic

by Gina Graham
November 28, 2016

From their days playing together as teenagers to their current acoustic and electric blues, probably no one has more consistently led American music for the last 50 years than Jorma Kaukonen and Jack Casady, the founders and continuing core members of Hot Tuna. Since their days putting together the soundtrack of the 60s, in The Jefferson Airplane, the pair has remained loyal to the blues, jazz, bluegrass, and folk influences from years before.

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Lucinda Williams and band

by Gina Graham
November 28, 2016

We’ve all heard about the iconic vibe of Route 66, the neon lights on Broadway and the ocean air of the Pacific Coast Highway. But there are untold stories emanating from countless blue highways across the land – like Interstate 20, which cuts a 1500-mile swath from South Carolina to Texas, and cuts deep into the spirit of those who’ve spent their lives traversing it.

Lucinda Williams is one of those people, and with the expansive, enveloping The Ghosts of Highway 20, she brings those stories to life – and gives listeners a remarkably vivid look at how the highway has been a literal and figurative backdrop throughout her entire life. The intensely involving 14-song collection may be the most deeply felt, deeply affecting work of Lucinda Williams’ illustrious 35-plus-year career, a career that has been established on a foundation of remarkably personal songs.

The thread of Highway 20 connects those songs, mirroring the winding route of the road itself, a street that cleaves close to Williams’ childhood homes, the final resting place of her mother, the sites where signposts of her formative years are forever planted. The connection runs deep here, particularly on the dark and moody tones of the album’s poignant title track, on which Lucinda ponders the lives that were lived, the legacies that were left and the imprints that remain on her own soul, conveying those vignettes with a palette that’s nuanced enough to give the listener pause to ponder, but unvarnished enough that her message is impossible to miss.

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