In order to earn this certification, the Lobero went through a thorough review and implemented solutions to improve efficiency in electricity, water use, as well as a sustainable transportation plan for staff members. All of these improvements were introduced in a way that was compatible with our historic aesthetic and corporate culture.
We’ve been working on reducing our carbon footprint for several years. In 2011 the Lobero became the first theatrical business to join the City of Santa Barbara’s Recycling and Composting Programs. Then, 2013’s Encore: Lobero renovations brought in eco-friendly updates including: low-flow toilets, drought tolerant landscaping and energy-efficient electrical systems throughout. Last year, thanks to House Manager Daniel Ramirez, we ramped up efforts to reduce electricity and water use–which included changing hundreds of light bulbs, updating any remaining antique plumbing fixtures, implementing an Employee Transportation Plan–we even changed to eco-friendly cleaning products!
“We view efforts to reduce our carbon footprint as not only our social responsibility, but also as a way to decrease long term operational costs and increase the viability and comfort of the building. It’s good for everyone.” – David Asbell, Executive Director
The Lobero is conscious of its lasting presence in the Santa Barbara community, and views adapting sustainable practices as a practical and advantageous way to ensure the vitality of the theatre long into the future.
Santa Barbara’s Historic Theatre District offers a bounty of great performing arts for fans on foot! Reaching from the Lobero to the Arlington, with the Granada and New Vic in between, there’s more than just theatres to experience; the District includes a wealth of restaurants, shops and galleries, making downtown Santa Barbara a perfect park-and-walk cultural destination almost any night of the year.
“This kind of collaboration is what Santa Barbara is all about, and the partnership established here will enhance the performing arts experience for artists, residents, and visitors throughout the year.” – Mayor Helene Schneider.
This comprehensive catalog lets you know what’s coming up at all these lovely venues, and monthly mini-brochures are on display at many of the restaurants and bars along the route, including:
Lobero Theatre Ghostlight Society honors jazz artist Charles Lloyd as Artistic Luminary
The Lobero Ghostlight Society is proud to present its first Artistic Luminary Award to Charles Lloyd in honor of his contributions to the genres of Jazz and American Roots Music on Friday, January 8, 2016 with guest artist and emcee, jazz guitarist John Pizzarelli. The Ghostlight Society is delighted to give this inaugural award to a Santa Barbara local and a true legend in the international jazz community. See more coverage from the Independent
Charles Lloyd was born in Memphis, Tennessee, on March 15, 1938. Like Memphis’ rich cultural and musical heritage, Charles Lloyd’s ancestry of African, Cherokee, Mongolian, and Irish cultures reflects a similarly rich inheritance. He was given his first saxophone at the age of 9, riveted by 1940’s radio broadcasts by Charlie Parker, Coleman Hawkins, Lester Young, Billie Holiday and Duke Ellington. Classical music also exerted a pull on the young Lloyd. He left Memphis in 1956 and headed to Los Angeles to earn his Master’s in music at USC. While his days were spent in academia, Lloyd spent evenings in L.A.’s jazz clubs, playing with Ornette Coleman, Billy Higgins, Charlie Haden, Eric Dolphy, Bobby Hutcherson and other leading west coast jazz artists.
Lloyd left Los Angeles in 1961 to join Chico Hamilton where he became the group’s music director. Lloyd joined the Cannonball Adderley Sextet in 1964, and performed alongside Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes. Lloyd left Cannonball Adderley in 1965 to form his own quartet, a brilliant ensemble that introduced the jazz world to the talents of pianist Keith Jarrett, drummer Jack DeJohnette and bassist Cecil McBee. Their first release together was a studio recording, Dream Weaver, followed by Forest Flower: Live at Monterey, (1966). Forest Flower made history as one of the first jazz recordings to sell a million copies, and the album’s firsts continued as it became a stunning crossover success that appealed to popular mass market audiences and gained heavy airplay on FM radio.
“”Lloyd is one of the greats, rather like Joan Miro in modern art, he has no peer save himself. Music of total transport and delight.” – Jazzwise
In 1967 Charles Lloyd was voted “Jazz Artist of the Year” by DownBeat Magazine. And then, at the height of his career in the early 1970’s, Lloyd disbanded the quartet and dropped from sight, withdrawing to pursue an inner journey in Big Sur. June 1981 was when Lloyd broke a decade of silence in the jazz world, making his first of many performances on the Lobero stage, followed by extensive touring in the U.S., Europe and Japan. In the past decade, he has graced the Lobero stage on a nearly annual basis. Read Lloyd’s full biography here.
The Lobero Ghostlight Society is the Lobero Theatre’s premier giving circle. Their strong and steady support illuminates our behind-the-scenes efforts and, like the steadfast bulb at center stage, keeps our vibrant theatre from ever going dark. Carrying on the commitment originally made in 1924 by a core group of donors responsible for rebuilding the Lobero Theatre in order to provide a lasting home for live performance in Santa Barbara, these leaders in the community embrace their vital role in keeping the arts alive and accessible for the community at large.
The Luminaries of the Ghostlight Society are a spark of brilliance, not only for the Lobero stage but also for the entire performing arts community in Santa Barbara. We honor the individuals whose passion and commitment provide for the artistry that illuminates our stage. The Ghostlight Society has recognized the following individuals as Luminaries: Lillian & Jon* Lovelace, Anne & Michael Towbes, Lyn & David Anderson, and Baroness Leni Fe Bland*.
If you’d like to learn more about the Lobero Ghostlight Society, feel free to reach out to Jim Dougherty at 805.679.6005
Whether painting the Matilija Poppies, Goleta Slough, or the historic Lobero Theatre, she still challenges herself to see things differently.
To meet artist Meredith Brooks Abbott at her rural Carpinteria ranch, is to step into one of her soothing and harmonic canvases. Time slows and vision softens at the view of her meandering gardens blending seamlessly into the natural vegetation of the surrounding Carpinteria Valley. A hopelessly romantic white Victorian farmhouse dating to the 1870‘s, sits in the shade of a large oak tree.
With Freddie, her sweet Labradoodle (and tennis ball) in tow, we head into her charming studio where canvases are perched in varying stages of completion and the quiet afternoon light streams in through high windows that run the length of the space. A self-portrait of Richard Meryman, family friend and noted American Impressionist and portrait painter, shares counter space with old photographs, portraits of her own children and pets, bits of nostalgia and the paintbrushes of Lockwood de Forest, California plein air painter.
Meredith, or Ky, as friends and family know her, has been painting here for over 40 years. These days she still paints almost every day, preferring to paint outdoors in the same plein air style of her predecessors. She has also just completed her second solo show at Sullivan Goss Gallery.
“How can I do something that will turn me on, whether with the composition or light and shadow…I have to have something else to say about it.” – Meredith Brooks Abbott
Aside from her daily painting practice and weekly drawing classes, her life is full with her almost 50-year marriage to Duncan, four adult children, seven grandchildren, tennis games, and gardening. She cherishes the times she is able to paint along
side her daughter Whitney and granddaughter Gwen. Most importantly, she is still celebrating, documenting, and preserving the beauty and goodness of Santa Barbara through her landscape, architecture and still life art.
As we continue to appreciate our beloved Lobero Theatre and the music that is created and shared inside its historic walls, we also give a nod of appreciation and gratitude to Meredith Brooks Abbott, another Santa Barbara treasure, who has once again highlighted the beauty and history of this lovely theater in our special town. True harmony!
*Our thanks to Mary Blair for this wonderful profile.
If All The Sky Were Paper explores war through contemporary and historic letters
If All The Sky Were Paper was written by award winning author Andrew Carroll and is based upon his New York Times bestselling books WAR LETTERS and BEHIND THE LINES. The play is based on a vast collection of wartime letters by soldiers, Marines, Sailors and Airmen and their loved ones at home.
Tom Brokaw has commented, “These letters are intimate, deeply personal portraits of the courage, sacrifice, and sense of duty that made this country.” (on WAR LETTERS)
The actors go through the full spectrum of emotions and experiences contained in the letters. From the incredible drama and ferocity of battle to the pathos and humor of everyday life on the front lines, these letters and Carroll’s story will deeply move and inspire audiences.
In 1998 Carroll launched a national, all-volunteer initiative to honor American troops, veterans, and their families by preserving their wartime letters. Since that time Carroll has traveled to 40 countries, and has collected more than 100,000 previously unpublished letters (and now emails) from every conflict in U.S. history.
The Lobero Theatre Foundation would like to thank all of our brave military men and women for their service. This performance will also be a benefit for the local chapter of the Military Order of the Purple Heart which provides a variety of services. This performance is sponsored by the The Wood-Claeyssens Foundation.
Anyone with letters from a family or loved ones serving abroad is invited bring them to the performance to give to Mr. Carroll and add to this profoundly moving collection.
In this excerpt from BACKSTAGE, learn more about brilliant architect Jeff Shelton, and his work on the Lobero’s courtyard tent.
Jeff Shelton has been called “Santa Barbara’s Architectural Wizard,” conjuring up whimsical buildings that evoke Spain’s famous Gaudi, and bring a fun artistic sensibility to downtown. He’s also the man who designed the Lobero’s Moorish-style tent that has been providing shelter for many a pre- or post-show gathering. Earlier this summer, the Lobero Theatre Foundation begun work with Mr. Shelton on a new summer tent intended to provide shade for the space when the sun is blazing.
Do you work with any other performing arts groups or venues in Santa Barbara?
The Lobero is the only one. I don’t have a lot of time to get into too many more things. Designing buildings, tiles, fabric, graphics and furnishings takes most of my time.
I have of course always loved the Lobero Building, so I am happy to work with the organization. I like to support good architecture.
How did your partnership with the Lobero begin?
I think that I got a call from David Asbell. I’m sure he did his homework and knew that I couldn’t pass up working on a great building like the Lobero.
How was it for you to create something new to work with a historic building?
The Historic Landmarks Committee wanted to make sure the tent had a “Historic” reference, and in addition, they did not want the tent to be attached to the physical building. The tent is based on a North African/Southern Spain Moorish tent; also, we had to make the tent in a way that not only can it be removed, but also when it is, you shouldn’t find any trace of where it was. Dan Upton, the contractor, devised some clever detailing to make this happen…
AUDITIONS FOR THE LOBERO THEATRE’S PRODUCTION OF “IF ALL THE SKY WERE PAPER”
Written by Andrew Carroll
Directed by John Benitz.
PRINCIPAL Auditions will be held Saturday, October 10 10AM-5PM at the Lobero Theatre
1st Rehearsal: November 7, 2015
Performance: November 11 at 7:30 PM
TO PREPARE: If All the Sky Were Paper is a new play by Andrew Carroll based on his bestselling books WAR LETTERS: Extraordinary Correspondence from American Wars and BEHIND THE LINES: Powerful and Revealing American and Foreign War Letters – And One Man’s Search to Find Them.
SEEKING: Women ages 20-60, Men ages 20-70. Seeking a very diverse cast, all ethnicities encouraged to attend.
For more information and to schedule a time slot, please call (818) 446-6671.
NOTE: Producers are considering only bona fide Santa Barbara area hires for this production. In order to be considered a bona fide local Santa Barbara Area hire, actors must legally, that is, according to your tax records, reside within the Santa Barbara, Ventura metropolitan areas.
*Please indicate if you are Equity or Non-Union.
PLEASE BRING A HEADSHOT AND RESUME, STAPLED TOGETHER. NON-EQUITY PERFORMERS WILL BE SEEN, TIME PERMITTING.
Spotlight on Lobero Theatre Associates president Janet McCann
The lovely Janet McCann returns as the Lobero Theatre Associates president this fall.
If you haven’t met Janet, you can’t help but be charmed by her energy and passion. Since joining the Associates back in 1990, Janet has enjoyed her tenure as both a mini- and an active- member. She’s retaking the reins as president after serving one year in 2003, and will be focusing on engaging new members.
Janet and her husband John love the size and intimacy of the hall, and are currently looking forward to seeing Tierney Sutton on December 9. She is always proud to hear the artists announce from stage that the Lobero is their favorite theatre.
“Being an Associate is a fun and easy way to support the Lobero—which brings the arts to so many children. I would love to see as many women as possible come together to support the theatre.”
Learn more about this dynamic group of ladies here, or better yet, become a member!
The Highbrow Lowdown from Executive Director, David Asbell
I’m always happy to hear that artists love the Lobero as much as we do. It was very affirming to travel back through all the photos of Jazz artists over the last 15 years to see that many of them have terrific things to say about the Lobero Theatre. When I get to speak with these talented artists backstage about how much they’ve enjoyed their experience and how they’d love to return, it reminds me of all the reasons we’ve decided to dedicate ourselves to this theatre.
We at the Lobero Theatre work hard behind the scenes so that musicians, dancers, actors, technicians and promoters can put on the best shows they can. We try our best to deliver an experience for those who attend and those who perform.
We still need help from you–our patrons, supporters and friends–to guarantee we can keep up with our mission to preserve and maintain the Lobero Theatre and facilitate the finest in the performing arts. I can guarantee that there is a way to support the Lobero that will line up with something that you’re passionate about. If you have an ear or an interest in jazz, become a Brubeck Circle member. If you want to keep seeing kids get up onstage and realize their dreams, then you can support our vibrant youth programs. You can leave your mark by naming a seat in our auditorium, or leave a lasting impression by contributing to the Lobero’s Endowment fund. If you would rather roll up your sleeves and spend your time to support the theatre, then maybe you should consider volunteering as an usher, or becoming a Lobero Theatre Associate.
There are so many facets to this great organization, andBACKSTAGE works to spotlight them all in each issue. Start by perusing this years’ annual report, and then read on about all the people and programs that make the Lobero sing.